Excerpt from The Borzoi Plays V: Hadda Padda, a Drama in Four Acts Translated by Sadie Luise Peller From the Icelandic Saint in the old paintings bears the church. In her, the Iceland of ancient and modern times meets. She has more warmth, more kindness of heart, more womanly affection, than any antique figure from a Saga. She gives herself completely, resignedly. She is tender and she is mild, without being meek. In her inmost self, however, she is proud. When first this pride is touched, then hurt, and finally the very woman in her is mortally wounded, it is at once perceptible that she descends from the strong, wild women of olden times. The wildness has become resolution, the pride has become poise, the strength has remained unchanged. She plays with life and death like the heroes of a thousand years ago. She faces death without flinching, and despite all her good ness, her delicacy, her kindly love for the old and the young, for the humble and the poor, for animals and plants, at the bottom of her nature she is heathen. In life's last moments, with death and revenge in mind, she can still pretend, invent, dupe. Such profound and ex quisite womanhood, such inflexible masculine will, have hardly ever been seen combined on the stage before. Gnons brandes. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.