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Nobody: A Hymn To The Sea
Coles
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Nobody: A Hymn To The Sea in Grande Prairie, AB
Current price: $34.95

Coles
Nobody: A Hymn To The Sea in Grande Prairie, AB
Current price: $34.95
Loading Inventory...
Size: Hardcover
*Product information and pricing may vary - to confirm current pricing, availability, shipping, and return information please contact Coles. In the event of a pricing discrepancy, the retailer's price will apply.
A collage of water stories from the Odyssey , reconstructed as a mesmeric and hallucinatory book-length poem by acclaimed poet Alice Oswald.
In Memorial , her unforgettable transformation of the Iliad , Alice Oswald breathed new life into myth. In Nobody , she returns to Homer, this time fixing her gaze on a minor character in the Odyssey—a poet abandoned on a stony island—and the sea that surrounds him. Familiar voices drift in and out of the poem; though there are no proper names, we recognize Helios, Icarus, Alcyone, Philoctetes, Calypso, Clytemnestra, Orpheus, Poseidon, Hermes, and the presiding spirit of Proteus, the shape-shifting sea-god.
As with all of Oswald’s work, this is poetry that is made for the human voice, but here the language takes on the qualities of another element: dense, muscular, and liquid. Reading Nobody is like watching the ocean; we slip our earthly moorings and follow the circling shoal of sea voices into a mesh of sound and light and water—fluid, abstract, and moving with the wash of waves.
A collage of water stories from the Odyssey , reconstructed as a mesmeric and hallucinatory book-length poem by acclaimed poet Alice Oswald.
In Memorial , her unforgettable transformation of the Iliad , Alice Oswald breathed new life into myth. In Nobody , she returns to Homer, this time fixing her gaze on a minor character in the Odyssey—a poet abandoned on a stony island—and the sea that surrounds him. Familiar voices drift in and out of the poem; though there are no proper names, we recognize Helios, Icarus, Alcyone, Philoctetes, Calypso, Clytemnestra, Orpheus, Poseidon, Hermes, and the presiding spirit of Proteus, the shape-shifting sea-god.
As with all of Oswald’s work, this is poetry that is made for the human voice, but here the language takes on the qualities of another element: dense, muscular, and liquid. Reading Nobody is like watching the ocean; we slip our earthly moorings and follow the circling shoal of sea voices into a mesh of sound and light and water—fluid, abstract, and moving with the wash of waves.











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