
Gifting Made Simple
Give the Gift of ChoiceClick below to purchase a Prairie Mall eGift Card that can be used at participating retailers at Prairie Mall.Buy Gift CardHome
Baudelaire in 1859: A Study in the Sources of Poetic Creativity
Coles
Loading Inventory...
Baudelaire in 1859: A Study in the Sources of Poetic Creativity in Grande Prairie, AB
Current price: $52.79

Coles
Baudelaire in 1859: A Study in the Sources of Poetic Creativity in Grande Prairie, AB
Current price: $52.79
Loading Inventory...
Size: Paperback
*Product information and pricing may vary - to confirm current pricing, availability, shipping, and return information please contact Coles. In the event of a pricing discrepancy, the retailer's price will apply.
This book is an intensive study of what was by far the most productive year in Baudelaire's literary career. It combines biographical investigation with detailed textual analysis in order to locate the sources of the extraordinary 'explosion' (Baudelaires' own word) of poetic creativity that he experienced during that year, and which resulted, amongst other things, in the writing of his greatest 'Paris poems'. Baudelaire in 1859 differs from 'synchronic' approaches in stressing the need for a reappraisal of his development as man and poet. To this end, Dr Burton devotes a large part of the book and thorough investigation of the fundamental difference between the first (1857) edition of Les Fleurs du mal and its successor of 1861. A picture of Baudelaire emerges, which calls into question the received view of him as a poet committed - in Sartre's words - to a life-long quest for sterility.
This book is an intensive study of what was by far the most productive year in Baudelaire's literary career. It combines biographical investigation with detailed textual analysis in order to locate the sources of the extraordinary 'explosion' (Baudelaires' own word) of poetic creativity that he experienced during that year, and which resulted, amongst other things, in the writing of his greatest 'Paris poems'. Baudelaire in 1859 differs from 'synchronic' approaches in stressing the need for a reappraisal of his development as man and poet. To this end, Dr Burton devotes a large part of the book and thorough investigation of the fundamental difference between the first (1857) edition of Les Fleurs du mal and its successor of 1861. A picture of Baudelaire emerges, which calls into question the received view of him as a poet committed - in Sartre's words - to a life-long quest for sterility.




















