This corpus-based study investigates the use of nominalization in English translations of Chinese literary prose through the analysis of three English versions of the Chinese novel Hong Lou Meng ( Dream of the Red Chamber ). Previous studies have explored the relevance of the cultural and linguistic positioning of different translators, but thus far no corpus-based study of nominalization has been undertaken in relation to translator style. This book uses quantitative and qualitative analyses of the nominalized transform of finite verbal forms in three Chinese-to-English translations to distinguish between translator styles, concluding that nominalization is a key identifier in translations. This book provides a comprehensive picture of the use of nominalization in English translations of Chinese literary prose and, more generally, encourages further study into nominalization in translation.